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Paul Wong (artist)
Paul Wong, (born November 20, 1954 in Prince Rupert, British Columbia) is a Canadian multimedia artist. An award-winning artist, curator, and organizer of public interventions since the mid-1970s, Wong is known for his engagement with issues of race, sex, and death. His work varies from conceptual performances to narratives, meshing video, photography, installation, and performance with Chinese-Canadian cultural perspectives.
== Biography ==
Paul Wong is an established artist and respected contemporary curator and programmer. Facilitating the work of other artists has been an important parallel activity that has always been closely related to his own artistic interests, as well as creating access to public spaces inside and outside of conventional galleries. This has included curating exhibitions in museums, programming festivals, developing educational curriculums, and consulting on cultural policies. He has been at the forefront, both as a pioneer of media art forms and in the development of audiences and critical attention for these new forms. Paul Wong is a founding member of several artists groups including the Video In / (VIVO Media Arts Centre ) (Satellite Video Exchange Society 1973), and is a co-founding member of On The Cutting Edge Productions Society, which produced projects nationally and internationally from 1985 to 2007. These are archived at (www.onedge.tv ). On Edge was rebranded to On Main Gallery in 2007 (www.onmaingallery.com ). As Artistic Director/Curator, Wong shifted the focus back to Vancouver.
Winner of the Bell Canada Award in Video Art in 1992, Wong was also the first recipient of the Transforming Art Award from the Asian Heritage Foundation in 2002. In 2003 he was the inaugural winner of the Trailblazer Expressions Award, created by Heritage Canada, the National Film Board of Canada and CHUM limited. Wong was the 2005 recipient of the Governor General's Awards in Visual and Media Arts〔(【引用サイトリンク】title=Paul Wong – Bio )〕 and was the Canadian Spotlight Artist and also awarded Best Canadian Film or Video at the 2008 Toronto Reel Asian International Film Festival.
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